Butler uses this word in reference to the change undergone by those who participate in the drag ball in Paris is Burning. The ball serves as a way for its participants to attain an "idealized domain of gender and race" (134). Achieveing this domain is the desire of the participants. Butler goes on to posit that the camera acts as a vehicle for transubstantiation (135). Then Butler raises a question concerning the power of the person operating the camera, as they are in control of its transubstantive power and are exploiting the participants desire for transubstantiation (135). This point reminded me of the second defition of transubstation, which involves the eucharist. Do those who preside over the eucharist share a similar power to the person wielding the camera? Are they too exploiting a desire for transubstantiation?
1 year ago